THE WHARF REVUE - SYDNEY THEATRE COMPANY 2009 - 2016 

WHARF 1 SYDNEY THEATRE COMPANY & NATIONAL TOURS

Debt Defying Acts 2011
Debt Defying Acts 2011

Sydney Theatre Company 2011

Celebrating 15 Years 2015
Celebrating 15 Years 2015

Sydney Theatre Company 2015 photo Brett Boardman

Open for Business 2014
Open for Business 2014

Sydney Theatre Company 2014

Drew Forsythe as Pauline Hanson
Drew Forsythe as Pauline Hanson

Sydney Theatre Company 2016

Open for Business 2014
Open for Business 2014

Sydney Theatre Company 2014

Celebrating 15 Years 2015
Celebrating 15 Years 2015

Sydney Theatre Company 2015 photo Brett Boardman

Pennies from Kevin 2009
Pennies from Kevin 2009

Sydney Theatre Company 2009

Celebrating 15 Years 2015
Celebrating 15 Years 2015

Sydney Theatre Company 2015 photo Brett Boardman

Phil Scott as Senator Brandis
Phil Scott as Senator Brandis

Sydney Theatre Company 2015 photo Brett Boardman

Red Wharf 2012
Red Wharf 2012

Sydney Theatre Company 2012

WRITERS

Jonathan Biggins, Drew Forsythe & Phillip Scott

LIGHTING DESIGNER

Matthew Marshall


SOUND & VIDEO DESIGNER

David Bergman

SET & PRODUCTION

Barry Searle

“Special mention must also go to the highly experienced lighting director Matthew Marshall, musical director Andrew Worboys and sound designer David Bergman. All three have been with the Revue for several seasons now and their collective contribution makes the technical aspects of the show flawless”

Suzanne Rath, ArtsHub

‘It is a fast-paced and slick performance, enhanced in particular this year by David Bergman’s dynamic video design and Matthew Marshall’s striking lighting design.’

John Rozentals, Oz Baby Boomers

“Lighting by Matthew Marshall creates a great atmosphere for the show”

Len Power, citynews.com.au

“Lighting (Matthew Marshall) and sound and video (David Bergman) are as carefully designed and coordinated as the timing of the performers themselves”

Carol Wimmer, Stage Whispers

 

“Lighting design by Matthew Marshall is equally impressive”

Deb Meyer, J Wire

“Overall, the costumes were eye-catching, and the lighting effects by Matthew Marshall added even more dynamic to the upbeat songs.”

Adirenne Gross, Australian Stage Online

“And getting very serious, this production is magnificent. The action is fast-paced with great timing throughout, in a circus-tent set which incorporates its own lighting, sound and visual media, reminding me of the amazing Famous Spiegeltent”

Frank McKone, Canberra Critics Circle