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Born and raised in Perth Western Australia, Matthew Marshall is an internationally acclaimed lighting designer and a graduate of the West Australian Academy of Performing Arts (WAAPA) Production & Design course. With over 25 years of practice, he is widely regarded as one of Australia’s most versatile and collaborative lighting designers, working across opera, theatre, dance, contemporary performance, festivals, large-scale installations, and major events.

Matthew has designed for most of Australia’s major producing companies and festivals including Opera Australia, Sydney Theatre Company, Belvoir, Bell Shakespeare, Queensland Ballet, West Australian Ballet, Black Swan State Theatre Company, Sydney Dance Company, Musica Viva, Griffin Theatre, Ensemble Theatre, Performing Lines, Marrugeku, Monkey Baa, Big hART and Legs On The Wall. He is a regular collaborator on flagship festivals such as Sydney Festival, Adelaide Festival, Adelaide Cabaret Festival, Perth Festival, Brisbane Festival, Darwin Festival, Dark Mofo and WOMADelaide.

Internationally, his work has been presented at The Royal Swedish Opera (Stockholm), Finnish National Opera (Helsinki), Oper Leipzig, Festspiele Ludwigshafen and Kampnagel (Germany), the Barbican Centre, Southbank Centre and Roundhouse (London), Le Manège & L’Espal – Scène Nationale (France), Concertgebouw Bruges (Belgium) and Teatro Central (Seville). His productions have toured extensively throughout Europe, the United Kingdom, the United States, and the Pacific.

In the United States, Matthew’s production's of THE BARBER OF SEVILLE & CINDERELLA have had multiple seasons with Seattle Opera, Des Moines Metro Opera, & San Diego Opera. His acclaimed collaboration with director Lindy Hume on CINDERELLA has remained in repertoire at Oper Leipzig since 2016 and continues to tour internationally. Other US engagements include TCHAIKOVSKY (Tulsa Ballet) & BAND OF MAGICIANS (Tropicana Casino Las Vegas).

Recent main stage credits include PROMISES & WILD BEASTS (Perth Festival), MORGONSTJÄRNAN (Finnish National Opera),  THE 39 STEPS (Gooding/Woodward), TRIPLE BILL (Queensland Ballet), THE FAIRY QUEEN (Pinchgut Opera), DIDO & AENEAS (Opera Queensland/Opera Australia)GATSBY AT THE GREEN LIGHT (Sydney Opera House/Caper & Crow/Brisbane Festival), THE CHILDREN, OIL (Black Swan State Theatre Company), IL TABARRO (Sydney Festival/Victorian Opera), DER RING DES NIBELUNGEN (Opera Australia), LE COMTE ORY,  COSI FAN TUTTE, THE UNRULY TOURISTS, MACBETH, THE MARRIAGE OF FIGARO, TURN OF THE SCREW (New Zealand Opera), VIGIL: AWAKEN (Sydney Festival), VELVET REWIRED (Organised Pandemonium), BALLET AT THE QUARRY & GOLDBERG VARIATIONS (West Australian Ballet),  EIREBOURNE (Mellen Events/Mpire), THE CROWD & I (Australian Chamber Orchestra), WINTERREISE (Musica Viva), DARK MOFO NIGHT MASS (DarkLab),  MARY STUART (Perth Festival/Performing Lines)JAMES GALEA'S BEST TRICK EVER (Sydney Opera House), CITY OF LIGHTS (Perth Festival), Tim Minchin's THE ABSENCE OF YOU music video, LA BOHÉME the outdoor Handa Opera on Sydney Harbour (Opera Australia), AMERICAN IDIOT Australian National Tour (Shake & Stir/QPAC), ATHALIA (Pinchgut Opera), ASKUNGEN (Royal Swedish Opera), CARMEN (Oper Leipzig). 

 

His celebrated production VELVET (Organised Pandemonium), created in 2015 has toured globally and featured on Norwegian Cruise Line’s Jewel & Breakaway ships. Its re-imagined companion work VELVET REWIRED premiered in the Magic Mirrors Spiegeltent at Adelaide Fringe 2020 before touring nationally.

Matthew’s installation and event designs include PARRTJIMA FESTIVAL OF LIGHT  (Grumpy Sailor/We Are Gather), ART & ABOUT (City of Sydney), THE DOMAIN (Sydney Festival) including Triple J’s 40th Birthday BEAT THE DRUM,  BEAT BOX a light show installation at Dream World on the Gold Coast (DJB Worldwide Events) and BVLGARI’s 130th anniversary showcase in Sydney (Rizer Events).

Notable theatre highlights include THIS IS OUR YOUTH starring film star’s Michael Cera, Kieran Culkin and Emily Barclay (Sydney Opera House Presents) and BILLY ELLIOT which opened Auckland Theatre Company's ASB WATERFRONT THEATRE. His relationship with musician Tim Finn led to designing THE LIFE AND TIMES OF TIM FINN (Live Nation) & TIM FINN PLAYS ESCAPADE (Empire Touring) across Australia and New Zealand.

His work has been recognised with two Helpmann Awards nominations for Best Lighting Design (2012 and 2017), multiple Australian Production Design Guild Award nominations, and the Good Design Awards Gold and Best in Class in 2025 for Parrtjima Festival of Light.

Matthew is also a respected educator and mentor, teaching at WAAPA and NIDA, and internationally at the Sharjah Performing Arts Academy SPAA (UAE). He served as an Awards Judge for the Australian Production Design Guild from 2017–2025.

Upcoming projects include & JULIET (G&T Productions) national tour of  New Zealand, DIDO & AENEAS (CIRCA) at the Spoleto Festival in Charleston USA, VELVET INFERNO at the Sydney Opera House and THE MARRIAGE OF FIGARO (New Zealand Opera) in Wellington NZ.

 

GATSBY AT THE GREEN LIGHT is currently playing at the Sydney Opera House until 28th March 2026

© 2026 MATTHEW MARSHALL

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