THE RASPUTIN AFFAIR - ENSEMBLE THEATRE COMPANY 2017

ENSEMBLE THEATRE, KIRRIBILLI SYDNEY

WRITER

Kate Mulvany

DIRECTOR

John Sheedy

 

SET & COSTUME DESIGN

Alicia Clements

LIGHTING DESIGN

Matthew Marshall

SOUND DESIGN

Neil McLean

“the Lighting Design from Matthew Marshall is spectacular”

Kevin Jackson, kjtheatrediary.com

 

“Everything about this production –  including the dazzling lighting by Matthew Marshall, the brilliant set design by Alicia Clements and great sound and wardrobe by Neil McLean and Alana Canceri – lends itself to the formidable and contagious comedic style that keeps its audience intrigued.”

Brownwyn Fullerton, sydneyartsguide.com.au 

 

“An ingenious, effective set by Alicia Clements with essential collaborative lighting by Matthew Marshall”

Diana Simmonds, StageNoise

 

“Vlad’s flashing camera – part of Matthew Marshall’s effective lighting design – provides punctuation and structure to often manic scenes”

Angus McPherson, limelightmagazine.com.au 

 

“Alicia Clements’ vibrant set design contributes beautifully to laughs, along with Matthew Marshall’s lights that give the imagery its finesse”

Suzy Wrong, suzygoessee.com

 

“Directed by John Sheedy on a quirkily designed set (Alicia Clements) with surprising lighting effects (Matthew Marshall), this is an extraordinary production that has the pace, action and fun of a Feydeau?

Carol Wimmer, StageWhispers.com.au


"The production’s design team of Alicia Clements (designer), Matthew Marshall (lighting designer), Neil Mclean (sound designer) and Alana Canceri (wardrobe coordinator) collaborated to make the best use of the space and to add to the comedic elements of the piece by guiding the audiences eye in a way that felt intuitive instead of forced. The set design by Alicia Clements was well thought out and makes economical use of the Ensemble Theatre’s performance space. The use of the picture frames and doors was so creative and gave the performers yet another tool to be used to great advantage. Lighting design by Matthew Marshall was yet another element that was perfectly complementary to the action.

Christina Donoghue – talkingarts.com.au

© 2019 MATTHEW MARSHALL

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