DIDO & AENEAS - OPERA QUEENSLAND / CIRCA 2024
PLAYHOUSE THEATRE, QPAC BRISBANE
Opera Queensland 2024 Photo David Kelly
Opera Queensland 2024 Photo David Kellyra Australia 2024 Photo Wallis Media
Opera Queensland 2024 Photo David Kelly
Opera Queensland 2024 Photo David Kelly
Opera Queensland 2024 Photo David Kelly
Opera Queensland 2024 Photo David Kelly
Opera Queensland 2024 Photo David Kelly
Opera Queensland 2024 Photo David Kelly
Opera Queensland 2024 Photo David Kelly
Opera Queensland 2024 Photo David Kelly
CONDUCTOR
Benjamin Bayl
DIRECTOR & STAGE DESIGN
Yaron Lifschitz
COSTUME DESIGN
Libby McDonnell
LIGHTING DESIGN
Matthew Marshall
ASSOCIATE DIRECTOR
CIRCA ASSOCIATE DIRECTOR
Benjamin Knapton
CHORUS MASTER
CAST
Dido - Anna Dowsley
Aeneas - Sebastian Maclaine
Belinda - Katie Stenzel
Second Lady - Emily Turner
First Witch - Hayley Sugars
Second Witch - Shikara Ringdahl
Spirit - Jessica Low
Sailor - Lachlann Lawton
ENSEMBLE SOLOISTS
Katie Stenzel, Emily Turner, Hayley Sugars, Shikara Ringdahl, Jessica Low, Lachlann Lawton
OPERA QUEENSLAND ENSEMBLE
Sean Andrews, Matthew Broadbent, Ryan Carlson, Adele King, Andrew Lange, Lachlann Lawton, Jessica Low, Jon Maskell, Elizabeth McBride, Shikara Ringdahl, Katie Rutledge, Katie Stenzel, Hayley Sugars, Emily Turner, Connor Willmore, Jia-Peng Yeung.
CIRCA ARTISTS
Jessica Connell, Luke Pearce, Joshua Strachan, Adam Strom, Darby Sullivan, Chelsea Hall, Rowan Allinson, Charlotte Cayer, Rhiannon Cave-Walker, Jon Bonaventura
“Boasting a slick and sexy production design that relies largely on the judicious lighting of Matthew Marshall and chic costuming by Libby McDonnell, it’s not to be missed.”
Jansson J. Antmann, limelight-arts.com.au
“Using a black-and-white colour palette with warm splashes of red and orange, Dido and Aeneas was filled with striking shadows and silhouettes. Lighting design by Matthew Marshall was a key part of the visual spectacle, making use of dramatic spotlights and shifting the parameters of the stage without props or sets, only curtains and scrims.”
“Visually, Yaron Lifschitz’ stage design was stark yet elegant with an interplay of red, black and white colours shimmered to perfection by lighting designer Matthew Marshall.”