MATTHEW MARSHALL LIGHTING DESIGN

”the knock-out chorus at the start of Act II, so superbly delivered by Cantillation and the Orchestra of the Antipodes with splendidly baroque radiance from Matthew Marshall's lighting.”

Peter McCallum, Sydney Morning Herald

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”Matthew Marshall’s lighting in Act Two Scene One, when the stage is glowing and green to reflect the power of Jehovah and to signify spring, is particularly memorable and astonishing.”

Lynne Lancaster, ArtsHub

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“The largely open, uncluttered stage was dominated by the sharp, geometric shapes and mirrored surfaces of designer Melanie Liertz’s funky modernist backdrop. These worked brilliantly with Matthew Marshall’s inventive lighting designs to create an intriguing interplay of light, shadows and reflections around the stage and auditorium.”

Murray Black, The Australian